AUTHOR’S PREFACE
“Under the Rose Petal” is a collection of haiku I wrote during January-May 2006, while taking Dr. Randy Brooks’ Global Haiku Tradition Seminar. My personal definition of haiku seemed to change every day in that class, and so this collection has turned out to be rather eclectic. After re-reading all the haiku I wrote throughout the semester, I picked twenty of my favorites—twenty different haiku that each encompassed its own unique “haiku definition” all the while connecting with a much larger idea of what haiku can be. The title of this collection comes from my signature haiku:
stormy skies
under the rose petal
a ladybug
Of all the haiku I have written thus far, this one is for me the most quintessential example of what a haiku could and should be: it is brief and imposes no ideas on the reader, and it contains a vivid image of something small, average, or regularly ungraceful. For me, that is what haiku writing is all about. Thank you for taking a look at my collection. I hope you enjoy it! —Melanie McLay
READER’S PREFACE
Most of us claim that we write from our own experiences, but when the chips come down to it we’ll make anything up. I do it, you do it, we’ve all done it at one time or another. It’s a good way to get things done quickly. But I know for a fact that Melanie McLay writes solely from her own memories. If it’s not something she’s seen or done, she can’t write about it. This is not because she is refusing to, it is simply because she cannot. She does not have the ability to make up situations of her own memories. That is why each haiku is special and worthy of our time, because we know them to be legitimate and true. Take “quiet girl/walks away from her past/in hot pink pumps.” That can only come from a girl who knows. —Mark Beanblossom