haiku project:
A Woman's Wordless Song
by Merissa Marx
I was inspired to use the haiku with musical references in them to create anoverall song. It just so happened that Peggy Lyles had many wonderful haiku containing musical elements. I arranged the haiku to take you on a journey throughout a day, starting with the morning, and ending at night. I also included some text painting within the song. For instance using the word "breeze," I wrote the inner two parts to imitate the feel and sound of an actual breeze. I did the same with the terms: jazz, wind chimes, and cricket. I wanted the music to reflect each haiku individually, yet maintain an overall cohesive sound. I hope I achieved that goal.
A Woman's Wordless Song
Play the original recording (mp3) by Merissa Marx and Millikin friends:
Score by Merrisa Marx © 2012 (PDF)
This original composition contains the following haiku:
an open window
somewhere
a woman's wordless song
Peggy Lyles, page 20, To Hear the Rain, Brooks Books, 2002.
the third-note rise
of a towhee's song
fragrant breeze
Peggy Lyles, page 18, To Hear the Rain, Brooks Books, 2002.
summer stillness
the play of light and shadow
on the wind chimes
Peggy Lyles, page 22, To Hear the Rain, Brooks Books, 2002.
distant jazz
a calla lily
catches rain
Peggy Lyles, page 78, To Hear the Rain, Brooks Books, 2002.
summer dusk:
my neighbour sings
to his roses
Stephen Toft, The Kissing Bridge, Red Moon Press, 2008.
midnight
the cat walks
up piano keys
Peggy Lyles, page 66, To Hear the Rain, Brooks Books, 2002.
cricket sounds
rise into the night
the names of the dead
Peggy Lyles, page 114, To Hear the Rain, Brooks Books, 2002.
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