Selected Haiku
by
John (Jay) Schleppenbach
Global Haiku Tradition
Millikin University, Spring 2000
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The work you see collected here represents the bulk of what
I feel is my most representative work from my semester in
haiku class. I have endeavored in this collection to select
not just what I believe to be my best work, but also selections
that show the different challenges and changes I have experienced
throughout my haiku work. Some of these works are far from
perfect, others represent experiments with form or content.
All, however, show some aspect of my haiku writing life.
In truth, this semester has been frustrating for me as well
as fulfilling. As an accustomed (if not necessarily accomplished)
traditional poet, I found it hard to cast off my ideas of
poetic language and content to move into this new genre.
Focusing on the simplicity of language and thought, on the
choice of the proper "Zen" moment, was very difficult
for me. I constructed too much; my poems were made, they did
not exist. While my interest in fragmentary style as a poet
found fulfillment here, it was a difficult struggle. So, much
of what you see here represents a conflict within me.
Of course, I have to admit to the fun I've found in Just
having haiku moments More and more, I've found myself just
jotting things down as they occur to me in life. This course
has changed not just my view of poetry, but my view of the
world. So many of the things you see expressed here are from
real life. It 's been interesting to make this transfer.
So in short, I'm a developing haiku poet and I ask your understanding
and forgiveness when necessary. Think of this portfolio as
only partially all end, and largely a means to an end that
may come decades down the road, or even not at all
Enjoy!
Jay Schleppenbach
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return home
old dog's nose
pressed against
the window
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prom night
red high heels
through steamed Buick windows
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last night's
all nighter
newsprint on her nose
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Easter mass
six month strangers
chatting in the back pew
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A
Haibun
I'm standing on a tiny balcony that
nobody seems to know about, perched
gently out behind the campus library,
overlooking nothing in particular,
and roaring with the rush of air from
some sort of ventilation shaft behind
me. There's no good reason for it,
really, but this, to me, is one of
the most peaceful spots on Earth.
I've been here probably hundreds of
times before during my four years
at this institution, and it's really
grown on me. I've had dates here.
I've cried here. And I've just sat
up here watching the world that can't
see me. Hanging slyly over one of
the rear entrances to the library,
obscured slightly by a stubbily ridiculous
ornamental tree, this balcony is a
great place to observe people (or
at least the tops of their heads)
as they come and go, never thinking
for a second that there might be someone
above them. It's a great place for
fragments, and arguments, and misunderstandings.
And at night there are the stars.
I think more than anything, I remember
the stars. From here, there's nothing
blocking you. No buildings, no trees,
just a wide expanse of parking lot
with a few untoublesome lights, and
the cemetery beyond. In fact, the
astronomy class sometimes sets up
camp right below for their observations.
I know what they're missing. So many
times I've looked out on that broad,
blue-black expanse, wieghed down with
those tiny, numberless pin pricks
of light. It beckons with the promise
of infinity, eternity. Unlike my tenure
here, it never seems to end.
But there will be other balconies,
and always the same flawless sky.
lovers' balcony
beyond the cemetery
infinite stars
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Night walk
stars
beyond the streetlamp
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yellowed urinal
my girlfriend's name
in graffiti
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running home from school still
not stepping on the CRACKS
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©2001 Randy Brooks, Millikin University,
Decatur, Illinois || all rights reserved for original authors
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