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To
Contend: Selected Haiku
by
Heather Aymer
To
speak simply and not begin into grandiose speculation was the
most difficult task presented to me in writing haiku.
To
find beautiful the world and things as they are in their moments
was a lesson, a grasping of the world necessary to personal
growth.
Aside
from certain contrary values, I try to be the most Zen oriented
I can. I do not think, but only remember a moment that is punching
at me to reveal and birth. The slime of the dogs saliva
in grounding the frisbee in the rengay inbetween,
for instance.
I
do not hold entirely to moments of personal interaction, I do
contend.
The
haiku where I speak of my grandmother walking down a country
road, that event happened out of my experience, but knowing
the road, my grandmother, and the relief and uncertainty of
finding her there unable to remember why she was, I do know.
That feeling needed expression as definitively as remembering
my dog, Niko. Yes, that is not considered so genuine a haiku
for it is not centered immediately in the authors empirical
domain, but we all, writers, do fly from our conventions for
those have to expressions, such as some of the following.
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inbetween
a
dragons head
peeking from the boughs
of the fur tree
seedless
pine cones
dripping
web-footed
ducks jumping on my feet
for bread
air
pockets
in the kneaded dough
thunder
clouds
a lightening bolt
to the ground
grounded
frisbee
in the dogs mouth
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Brittle
Flowers
grass
crunching
underfoot, me and only
the birds weep
a
dry blue sky
without pity
no
tears
for the deceased boy
meeting his grandmother
nearby
dusty creek bed
tiny bones
apertures
of a petrified stump
cut into my boot
brittle
flowers
mark a page . . .
the old book
Heather
Aymer & Bob Reed
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