Tanka Matching Contest - 1 Results
Tanka Writing Roundtable, Fall 2011 • Millikin University
shirt soaked with sweat Kendall Robison |
on that breezy summer day, Brittany Mytnik |
snow to my knees Ashley Longcor |
the coat hanger, Brittany Mytnik |
on that breezy summer day, |
snow to my knees |
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top quarter champion snow to my knees |
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TOP half champion Dear Love, |
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bottom quarter champion Dear Love, |
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ignoring the broken nose |
Dear Love, |
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ignoring the broken nose Desi Thomas |
I wipe my face Bill Rzesutko |
Dear Love, Desi Thomas |
a dangerous kiss Joe Sparks |
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top half champion Dear Love, |
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CHAMPION too hungry
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bottom half champion too hungry |
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as I walked Bill Rzesutko |
too hungry Samantha Parks |
in the middle Carmella Braniger |
a squirrel Morgan Ewald |
too hungry |
in the middle |
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top quarter champion too hungry |
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BOTTOM half champion too hungry |
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bottom quarter champion Orange line |
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the faces who |
Orange line |
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oreos and peanut butter Morgan Ewald |
the faces who Owen Kosik |
your large body Ashley Longcor |
Orange line Cristy Carranza |
© 2011,
Randy Brooks Millikin University
All rights returned to authors upon publication.
Reader Responses
in the middle |
as I walked |
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I love placing these two poems back to back because they form almost a narrative. In the first, I picture a girl who is up far beyond when she is supposed to be; perhaps with a lover, "wrestling" like the birds outside the window. Afterwards, she wants sleep but is kept awake by the birds. In the next poem, then, we see the consequences of that sleepless night; again with this idea of birds, free creatures of the sky, limitless except for the young that keep them tied to their nests. The tale becomes one of growing up and losing the freedom of youth to responsibilities; but because birds are used, this does not necessarily have to be a tale of regret. (I find it to be because I personally envisioned ravens while I was reading but that is up to the reader's imagination) . Samantha |
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shirt soaked with sweat Kendall Robison |
on that breezy summer day, Brittany Mytnik |
snow to my knees Ashley Longcor |
the coat hanger, Brittany Mytnik |
I enjoyed this pair the most because they made me feel happy. The first one made me feel like I just went for a good run and since I'm keeping in shape, I feel beautiful. It really was a cool way of looking at it. The second one was just very reminiscent of lovers past. The pair together bring a key to having a happy life. If you are healthy, you could be a lot healthier than people who are constantly sick. If you can trust people, you can relieve stress. This also improves health. Bill I really enjoyed reading these two Tanka together because they use such opposite word choice yet they send the same message. As one use soaked the other uses breezy, which to me sort of explains how no matter cold wet snow or heat love is love. Whether a girl is soaked with messy hair or smiling in the mid summer breeze she will always appear beautiful to the one who loves her. Cristy I liked these two tanka because they were about love, and I am a sucker for love stories. I feel like these two are so different, yet so alike. When I picture the first, I picture a couple making love. The sweat, not being able to catch breath, and tangled hair. And the writer says, "You make me feel beautiful." I feel like it is a woman, probably because beautiful usually has a feminine connotation, but it is such a passionate scene. The second tanka, however, is much sweeter, and there is a bit of hurt in there. The poet seems to have had something bad happen because they write that they can trust AGAIN, implying that at one point, something happened that made them unable to trust. These two tanka are so different in context, but their theme is the same, love. Morgan |
I thought that these two worked really well as a pair because they both depict someone struggling to resist an outpouring of emotion, and they both are very poignant in the way that they address grief. The speakers in both are very fragile and see their loss in everything. It's very sincere but devastatingly realistic I think. Nora
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ignoring the broken nose Desi Thomas |
I wipe my face Bill Rzesutko |
Dear Love, Desi Thomas |
a dangerous kiss Joe Sparks |
When I first read this, I interpreted it as an abusive relationship. I pictured a woman who is beaten by her boyfriend or husband, yet after the beating, the man is still manipulating her and telling her that she loves him. I was disturbed by this, while at the same time recognizing how this could represent a lot of real women. I was surprised to hear others interpreting it differently--as a woman who was in an accident, and her boyfriend/husband is still accepting of her despite the injuries that she acquired. This is definitely less disturbing, and more encouraging than how I thought of this tanka. I find both very valid, and I like how it is ambiguous and can be taken either way. Brittany |
I cannot decide what I think the tone of this tanka is. Part of me sees it as a light-hearted sort of poem, slightly funny, even, as a person tells their love that they need to send more kisses because the others have gone stale. However, another part of me sees it as something more sad--a relationship is failing, and one person is unsatisfied with the kisses of the other because they are no longer as meaningful as they used to be. They are still willing to work things out, but the relationship is fading quickly. Regardless, I like both interpretations, and I just enjoy this tanka quite a lot. Brittany |
I like the mystery that this tanka presents and the comparison between the two subjects: this kiss is just about as dangerous as kissing the blue edge, the hottest part, of a zippo flame. It kind of makes me think of a forbidden love between two people, something like Romeo and Juliet, that's absolutely beautiful but will end in tragedy. Desireé |
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I felt that these two tanka selections were matched up very well and they worked as a pair. After reading them through several times, I almost had a sense that the second tanka could be a sequel to the first tanka. The imagery of wiping tears was powerful and different in each tanka. In the first, the reader is able to imagine tears being wiped away by a loved one, but in the second tanka, the reader almost gets a sense that the loved one has left and he/she is left to wipe their own tears. Though the feelings the reader receives from each tanka are vastly different, the selections are easily related through the presence of tears. Kendall |
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as I walked Bill Rzesutko |
too hungry Samantha Parks |
in the middle Carmella Braniger |
a squirrel Morgan Ewald |
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I like this tanka because it reminds me of all the times I've wanted to tell somebody something but just can't stomach actually doing it. I also like how the lines flow together, how it maintains the… I don't know, action, so to speak, yet slightly shifts. What also made me like it was how it reminded me of the opening scene in "Crazy, Stupid Love," with the husband and his wife in a restaurant. The husband is eating and doing most of the talking. The wife is playing with her food until she blurts out that she wants a divorce, eventually causing the husband to throw himself out their moving car on the way back home. Desireé |
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oreos and peanut butter Morgan Ewald |
the faces who Owen Kosik |
your large body Ashley Longcor |
Orange line Cristy Carranza |