Tanka Kukai 3
Roundtable Tanka Kukai 3, Fall 2011
walking through the door Bill Rzesutko (4) |
every year, |
I wonder what was Desi Thomas (6) I love the playfulness of the wording in this poem. It could be a very bleak image but instead it is playful, almost bitingly sarcastic--which is fitting because the subject in question bit the bullet. Excellent voice, but one has to wonder, who's narrating this? Given the use of "they" it doesn't seem to be the shooter, but is it someone who was accompanying them? Is it a scorned lover, a distant family member thinking "oh I bet you deserved it," a college rival? Why was the subject shot? Its so to the point and yet the tanka leaves so many open ended questions that I find it remarkable. Samantha |
she hands her the ice cream |
full of adrenaline Bill Rzesutko (3) |
poptart breakfast Morgan Ewald (2) |
halloween Kendall Robison I like this tanka because it's true. I remember when there was a time where people were in a race to have the scariest costume because it’s Halloween: which is about scary stuff, right? But now, it’s all about wearing the shortest shirt or dress, showing off as much cleavage as possible, and making everything sexy. Such as 'sexy' nurse, 'sexy' witch, 'sexy' pirate,'sexy' zombie, 'sexy' etc., etc., etc. It reminds me of the part in "Mean Girls" where Lohan says "... in girl world, Halloween is the one day a year when a girl can dress up like a total slut and no other girl can say anything about it." Desiree |
listening to laughter |
grumbling, Desi Thomas (8) |
Samuel Adams |
washing dishes |
You open the book Desi Thomas This was hands down my favorite one from Kukai. Using the book to symbolize one's life and then continually coming back to that comparison was really well done. I could feel the strength and empowerment this author had, when this person kept trying to renter their life, and I admire it. Ashley |
I used to catch fire quick Desi Thomas (7) |
it's been Desi Thomas (4) |
can we truly understand Joe Sparks (7) The personification of the wind, which blows in all directions as it fancies, strikes me . . . I do see it as whimsical, especially while watching leaves skitter. However, the wind can also be ferocious and cause untold amounts of damage in gusts, tornadoes, hurricanes. I imagine that one hand this poem is merely talking about the breeze, yet on another hand it is about a woman who can be sweet, gentle, and whimsical, but can also be strong, angry, and devestating. A girl who's always on the move, never slowing down. Samantha |
midnight letters Joe Sparks (3) |
under the bridge Kendall Robison (4) |
encased in black, |
jingle bells jingle bells Ashley Longcor (4) I like this one because it shows that I'm not the only one who's thinking this. It's seems that once Halloween ended, they said "screw Thanksgiving" and started rolling out the Christmas decorations and fake reindeers. I sort of feel like Dr. Braniger's daughter: they might as well bring out the Easter candy and forget about New Year's and Valentine's Day. Desiree |
the days I didn't need Samantha Parks (7) |
B.efore, I thought we were Desi Thomas I thought this one was interesting how it used an acrostic poem within the tanka. On top of that the author used this acronym that usually has such a fun playful connotation to get out these bitter feelings they have. Overall I thought the poem was definitely one of the more interesting ones. Ashley |
was a time Owen Kosik (6) This was one of my favorites in the kukai, but I'm just going to reiterate what I had mentioned in class. I really like this poem because of the twist from want to need; materialism to necessity. I also like how [as someone else mentioned] it starts off in the middle of a thought. Whether this was a typo or intentional, I think it really does add an air of intrigue to the poem, giving it more depth and feel. Because of such a beginning,it shows that the character is really thinking. Joseph |
at night i shudder Morgan Ewald (5) |
© 2011, Randy Brooks Millikin University
All rights returned to authors upon publication.