Global
Haiku Tradition Aaron
Meyer
|
Lee Gurgas Seasonal Haiku: The Value of Simplicity While reading The Haiku Anthology Lee Gurgas haiku stood out to me over and beyond any other authors haiku in Cor Van den Heuvals collection. I thought Gurga brought an incredibly interesting outlook on life and this opened up my eyes to even more knowledge about haiku the value of simplicity in haiku. I was still learning the essential elements of great haiku, so I was eager to learn about contemporary approaches to writing haiku. I was even more inclined to study Lee Gurga for my contemporary author essay for the simple fact that Dr. Randy Brooks put so much emphasis on his work in class. He made sure the class paid close attention to Gurgas work. This caused me to believe Lee Gurgas work must be especially intriguing. Therefore, I wanted to explore his motivation to write haiku and analyze how he has become such a widely acclaimed contemporary haiku poet. Before
I learned a little about his background, I had an idea he
was probably from California or somewhere far away. I found
it interesting that Lee Gurga actually lives central Illinois
now and has lived in the Midwest his entire life. Lee Gurga
grew up in Chicago before relocating to Lincoln, Illinois.
Gurga attended the University of Illinois where he studied
dentistry, mathematics, Asian studies, and dance. This education
provided him with a uniquely broad knowledge and understanding
of profession and lifelong art. He now lives with his family
and operates a dentist practice in Lincoln, Illinois. Gurga
began his work in haiku when he found a haiku book on the
bookshelf of a Chicago bookstore. From there, he has won several
prestigious awards for his haiku over the years. I
have found several of Lee Gurgas haiku that are particularly
interesting to me as a reader. I feel that I enjoy his haiku
more than any other author, because he often writes about
moments in his life that he has experienced. Since he has
grown up around the same area as I, this may influence the
way I interpret his haiku.
I
picture from this haiku a bench sitting underneath a pine
tree. Although this is not my favorite of Lee Gurgas
haiku, I feel it represents the simplicity of his thoughts
at times. I like the way he can take a simple moment such
as this and generate thoughts and feelings in the readers
mind. I often think that with this instance in the warm weather,
the bench is frequently used because of its exact placement
in the shade. Everyone enjoys sitting on a bench in a park
watching people walk by. This bench may be a special place
for someone. Possibly a place they meet someone frequently
to talk about their lives. They sit for hours enjoying the
beautiful weather and talking with each other. This bench
grows old, but more and more people keep using the bench for
comfort. The bench becomes worn, but almost seems to increase
in comfort, as if it becomes smoother over the years from
the constant wear. This haiku also generates a memory for
me from my childhood. We had a bench outside in the yard that
I used to love to sit on during my childhood. Everyone in
my family used to like sitting on the bench though, so it
was sometimes tough to get space on. It was not an exceptionally
comfortable bench, but it was strategically placed in the
yard resulting in a great view of the landscape.
Not
only is simplicity evident in Gurgas haiku, but he also
likes to use a seasonal element in some of his work. Rows
of corn automatically takes the reader to sometime during
the summer or fall. Personally this haiku takes me to the
fall season when the corn is tall and when you look down the
row, you see nothing but corn. He captures this image by describing
the corn as stretching to the horizon. The first two lines
of this haiku set the moment and the reader can picture this
perfectly. The last line then contributes a second image to
the moment. Anyone that lives in a rural area has seen a thunderhead
on the horizon. It is amazing how the sun shines through the
thunderhead, resulting in a picture that some may only see
in the art gallery. I can remember sitting outside on the
porch in the evening or early afternoon when a storm is about
to come in. The clouds are moving quickly, so it seems as
if the sun keeps dodging in and out of all the thunderheads.
I can see the sun beating down still, but knowing rain was
nearing quickly. The rows of corn begin to sway in the wind,
and I can hear thunder in the background. I can remember this
happening quite a few times in fact because I enjoyed being
outdoors when I was growing up. I liked to play in the rain
and so I was able to see the magnificent natural things happening
around me while I was growing up. Lee Gurga does an excellent
job of capturing the moment of scenery and nature for the
reader to live all over again. This must have been an exceptionally
meaningful moment in his life to spark a haiku. I make this
comment based on the fact that Gurga is motivated to write
haiku solely off of special moments in his life.
One
idea we analyzed late in the semester was Zen principles.
Lee Gurga really uses a lot of Zen principles in his work
that I was not aware of before. When we studied his haiku
earlier in the semester we talked about some of these principles
but not in the Zen context. It is interesting how these are
related in a way. For example, the haiku describing one wheel
slowly turning is very simple. It is a brief haiku that really
describes a vivid image in the simplest form. Everyone has
probably seen the wheel of a bike turning slowly, but not
many people have really watched and enjoyed that simple moment.
Obviously Gurga had an experience with this sometime throughout
his life and he was attentive enough to capture this moment
in his mind and write a haiku about it later. He again uses
a seasonal element in this haiku. Summer afternoon really
sets the season and gives the haiku a very nice touch. It
is amazing how many Zen elements he utilizes in his work.
I am able to picture myself in the exact situation, seeing
exactly what he was seeing at the time.
This
haiku by Gurga is very intriguing to me. I can relate to this
haiku especially because I have attended several weddings
lately. It is interesting because everyone wants to look at
the people taking pictures but there are so many people taking
pictures, no one looks at the same camera. This is one of
my favorite haiku of Gurgas because of his ability to
capture the moment. Most everyone knows exactly what he is
talking about and can relate directly to that moment. He must
be speaking of his own wedding or a friends wedding
that he has attended. He obviously noticed this situation
occurring and captured the moment in his mind. I tend to believe
it was possibly his own wedding, being that he usually writes
of especially important moments in his life. Maybe the official
photographer was getting frustrated with the wedding party.
He was not able to do his job quite as well because of the
other people wanting pictures at the same time. Any situation
may have occurred, but I think this is a very interesting
moment in his life to write about.
The
first time I read this haiku by Lee Gurga, I automatically
thought of a vacation. It seems to happen quite a few times
on vacation to people when storms ruin a nice outside vacationing
spot. For instance, Gurga may have traveled somewhere he was
planning on being outside most of the time. Bad weather caused
him to alter his plans and by the second day he goes to the
store and buys cards. He does not speak of any upset feelings,
but he obviously has altered his plans to accommodate for
the weather. This has happened to everyone, and I can relate
to this personally as well. I can remember being on a family
vacation in Florida when it rained one day all day long. Everyone
wanted to go outside and kept hoping the rain would stop so
we could go outside. After a couple hours of waiting, we finally
decided to just play some cards and wait it out. We ended
up having a lot of fun playing cards with everyone. It showed
us we should just take the situation and try to make it positive.
This is a haiku where Lee Gurga again utilizes a seasonal
element. Spring rain really makes this haiku, because I never
thought of the weather until the last line. This line tells
us why everyone is inside playing cards. Otherwise we may
have pictured some other moment occurring.
This
haiku can be interpreted in many different ways. It is one
of my favorites by Gurga because he leaves the option of interpretation
by the reader extremely open. The reader could see the mother
of an animal calling her offspring at the end of the day.
The offspring could have been off playing with other animals,
but never travel outside the call of their mother. Another
interpretation could be of a worried mother. I personally
thought of this situation when I read this haiku. I picture
a mother waiting for her son to get home from a night out
with his friends. She can not go to sleep until he is home
safe. He may be late for his curfew, causing even further
worry by his mother. She may be calling places trying to find
where he could be. She has had a long day at work, and she
just wants to go to bed knowing her son has arrived back home
safely. I can relate to this moment especially, because I
had a curfew in high school. If I was late for my curfew,
my mom would usually be up worrying if I am safe. Personally,
I feel this haiku represents a great deal of caring and warmth.
Gurga allows the reader to take this haiku in whatever direction
they want, and I feel this is how he relates to various haiku
readers. He does an extremely nice job of capturing the mindset
of the mother in this haiku. Lee Gurgas approach to writing haiku emphasizes simplicity and seasonal elements. These two elements are very common throughout his work. His haiku were structured in a way that was extremely easy for the reader to relate to. I believe this is the reason Gurga is so well known by the haiku audience. I really enjoyed studying his haiku and I have learned some essential elements in his writing that I can use to improve my own haiku writing. Aaron Meyer |
©2003 Randy Brooks, Millikin University, Decatur, Illinois || all rights reserved for original authors