Advanced Studies in Poetry: Global Haiku Tradition
HN202 Creative Arts Honors Seminar - Fall 2021
Dr. Randy Brooks

Millikin University
ROOM tba
rbrooks@millikin.edu

 

Reading & Writing Assignments by Dates:

Global Haiku Tradition Assignments Blog - Fall 2021

<http://www.brooksbookshaiku.com/MillikinHaiku/courses/globalFall2021/assignments.html>

Classroom: tba

Informal Reader Response Writing & Haiku Writing (20 days) (10 each) • 200 total points
Contemporary Haiku Essay (mid-term) • 100 points
Haiku Project • 100 points
Haiku Collection (paper booklet & by email) • 100 points
Haiku Collection Poetics Preface on YOUR Art of Writing Haiku • 20 points
Signature Haiku Haiga • 20 points
Final Reading • 20 points

ALL ASSIGNMENTS are to be submitted by email (1 attachement per day is best).
Send them to: rbrooks@millikin.edu

Do NOT send me PDF file versions of your homework.
Attach files to your email to me
or
copy and paste your work into the body of the email.

Handouts are available from MOODLE (most are PDF files).


Haiku Bibliographies

Decatur Haiku Collection: A Bibliography of Print Publications
http://www.brooksbookshaiku.com/MillikinHaiku/bibliographies/DecaturHaikuCollection.pdf

A Bibliography of Online Articles on Haiku, Senryu and Tanka in English
http://www.brooksbookshaiku.com/MillikinHaiku/bibliographies/OnlineHaikuArticles.pdf

A Bibliography of Online Books, Journals and Exhibitions on Haiku, Senryu and Tanka in English
http://www.brooksbookshaiku.com/MillikinHaiku/bibliographies/OnlineHaikuBooks.pdf

Haiku Community Links:

Haiku Society of America • http://www.hsa-haiku.org/
American Haiku Archives • http://www.americanhaikuarchives.org/
Haiku Chronicles • http://www.haikuchronicles.com/
The Haiku Foundation • http://www.thehaikufoundation.org/
Haiku Poet Intervews • https://www.thehaikufoundation.org/category/video_archive/thf_interviews/
Simply Haiku • http://www.simplyhaiku.com
Heron's Nest • http://www.theheronsnest.com/
Modern Haiku • http://www.modernhaiku.org/
A Hundred Gourds • http://ahundredgourds.com
World Kigo Database • http://worldkigodatabase.blogspot.com/
Haibun Today • http://haibuntoday.com/
FemKu • https://femkumag.wixsite.com/home


Extra Credit Opportunities:

watch for extra credit assignments that pop up from class


Kukai Favorite Selections

Kukai 1Kukai 1 Favorites

Kukai 2Kukai 2 Favorites

1 Haiga Favorites

Kukai 3Kukai 3 Favorites

1 haiku to editedited haiku

Kukai 4Kukai 4 Favorites

Matching Contest 1Favorites

Kukai 5Kukai 5 Favorites

Kukai 6Kukai 6 Favorites

Kukai 7Kukai 7 Favorites

Kukai 8Kukai 8 Favorites

Kukai 9Kukai 9 Favorites

Kukai 10Kukai 10 Favorites

Kukai 11Kukai 11 Favorites




Reading & Writing Assignments by Dates:

or 8/24 - haiku of the day --> Dr. Brooks

reading: Mayfly magazine sample


for 8/26 - haiku of the day -->Dr. Brooks

(1) writing response: send me an email copy of your in-class response to a favorite haiku in MAYFLY

(2) haiku writing: write your first 6-8 haiku attempts on transition times—lulls of dawn, of dusk, of relationships, of states of consciousness, summer's end, end of the pandemic, back to school).

reading: Tea's Aftertaste by Aubrie Cox, handout 1

(3) writing response: find 2 favorite Aubrie haiku—write your imagined felt responses to them (one paragraph each)

REMEMBER to cite each haiku fully (do not add capital letters or punctuation) like this:

father-daughter talk
my fishing lure
caught in the moon

Aubrie Cox, Tea's Aftertaste, 27

(email Dr. Brooks (rbrooks@millikin.edu) your 1 Mayfly response, your 2 Cox response & 8-10 haiku by midnight Wednesday, August 26)


for 8/31 - haiku of the day --> Daniel

in class: Kukai 1?

reading: To Hear the Rain by Peggy Lyles (handout 2)

(4) writing responses: find 3 favorite Lyles haiku—write your imagined felt responses to them (one paragraph each) and briefly write your imagined, felt response to them. Be ready to discuss why you like them.

(5) writing extended memory & memory haiku: choose a fourth favorite haiku by Peggy Lyles or Aubrie Cox that especially triggered memories from your childhood or past. This time write a one page memory describing a moment from your own life. THEN write 3 haiku which capture different instances or feelings from within that longer memory from your experience.

(6) haiku write: 8 new haiku on about the end of summer perceptions or start of school year events at Millikin or WABI.

(email your 4 short responses & one 1-page sensory memory writing & 8 new haiku by midnight Sunday, 8/29)


for 9/2

(7) reading response: write your imagined felt response to three favorite haiku from Kukai 1 Favorites (three paragraphs)

(8) Read Chapters 1 and 2 - The Art of Reading & Writing Haiku (pages 15-34) and write a short imagined responses to 2 favorite haiku from these chapters.

(9) haiku write: 7-10 new haiku on OPEN topic

(email Dr. Brooks (rbrooks@millikin.edu) your favorites from kukai 1 & 10 new haiku by midnight Wednesday, 9/1)


for 9/7

in class: kukai 2?

reading: handout of haiku from The Silence Between Us by Wally Swist

(10) writing response: find three favorite haiku from Wally Swist and write a short response paragrapsh about them.

(11) reading response: find an interesting "matched pair" of haiku (one from Wally Swist and one from Peggy Lyles or MAYFLY) to read side by side. write a short analysis of the writing strategies and techniquse used in these haiku. (not reader response but analysis of writing techniques such as line break, word choice, arrangement, rhythm, sounds, emphasis, break, voice, tone, attitude, etc.). one page maximum for your analysis (half a page is fine).

(12) haiku write: go for a walk (by yourself or with friends) and write haiku that come to you from just being out there. (8-10 haiku from the outdoors)

(email Dr. Brooks <rbrooks@millikin.edu> send your responses and haiku by by midnight Sunday, 9/5)


for 9/9

(13) reading response: write your imagined felt response to three favorite haiku from Kukai 2 favorites (three paragraphs)

(14) writing haiku: open topic 6-8 haiku

(15) write 2-3 haiga: (photograph or drawing with a haiku placed on the artwork) Some apps: Phonto or After Photos

Due by email midnight Wednesday, September 8. (email Dr. Brooks <rbrooks@millikin.edu> send your responses and haiku by midnight Wednesday, 9/8)


for 9/14

1 Haiga Favorites

(16) listen to the Aubrie Cox interview (audio file available at MOODLE handout 02-AubrieCoxInterview.mp3) and write a short reponse about 2 things you realized about haiku from this interview.

reading: handout of haiku from Almost Unseen by George Swede (available from Moodle)

(17) writing response: find three favorite haiku from the George Swede handout and write a short response paragrapsh about them.

(18) haiku write: write 8-10 new haiku on college life or the angst of being human.

(email Dr. Brooks <rbrooks@millikin.edu> send your responses and haiku by midnight Sunday, 9/12)


for 9/16

reading: Gail Sher - Guide for Beginning Haiku Writers (availabe as PDF from Moodle)

(19) reading response: compare Gail Sher's suggestions for writing haiku with the introduction in Peggy Lyles' book (one page max)

(20) reading response: write your imagined felt response to two favorite haiga from 1 Haiga Favorites (two paragraphs)

(21) write 7-10 haiku on on working out, exercise, getting healthy, yoga, etc

(email Dr. Brooks <rbrooks@millikin.edu> comparison of Sher and Lyles, send your responses and haiku by midnight Wednesday, 9/15)


for 9/21

reading: handout of haiku from My Red: The Selected Haiku of John Stevenson

(22) writing response: find three favorite haiku from John Stevenson and write a short response paragraphs about them.

(23) reading response: compare the genesis of discourse for two authors (John Stevenson or Wally Swist and Peggy Lyles). why do they choose to write haiku about these moments? what is the source of significance worth turning into a literary artwork for them?

(24) writing haiku: open topic 5-8 haiku

(25) reading response: write your imagined felt responses to three favorite haiku from Kukai 3 Favorites

(email Dr. Brooks <rbrooks@millikin.edu> send your responses and haiku by by midnight Sunday, 9/19)


for 9/23

1 haiku to edit • (29) send me variations for 2 or 3 of these haiku to edit

Kukai 4Kukai 4 Favorites

(26) Read Chapter 3 - The Art of Reading & Writing Haiku and write about three favorite haiku from this portion of the book.

(27) writing extended memory & memory haiku: choose a fourth favorite haiku by Peggy Lyles or Aubrie Cox that especially triggered memories from your childhood or past. This time write a one page memory describing a moment from your own life. THEN write 2-3 haiku which capture different instances or feelings from within that longer memory from your experience.

(28) during or at a different time and place from your quiet contemplation space writing, slowly read your new issue of MAYFLY closing your eyes after reading each haiku to fully imagine each one. Let your imagination/memory go and write 2-3 haiku from where one of your favorite haiku took you.

(email Dr. Brooks <rbrooks@millikin.edu> send your responses and haiku by midnight Wednesday, 9/22)


for 9/28

reading: handout of haiku from School's Out by Randy Brooks

(29) writing response: find three favorite haiku from Randy Brooks and write a short response paragraphs about them.

(30) Read Chapter 13 - The Art of Reading & Writing Haiku (pages 187-200) and write about one favorite haiku from this portion of the book.

(31) writing haiku: open topic 5-8 haiku. Maya says our prompt is "the little things"

(32) reading response to Kukai 4 Favorites: Send me the number of each haiku you chose as a favorite. Try to choose at least 5-10 haiku (or more if you like more). THEN write your imagined felt response to three favorite haiku from Kukai 4 Favorites (three paragraphs).

email Dr. Brooks (rbrooks@millikin.edu) assignments due by midnight Sunday, 9/26


for 9/30

Matching Contest 1 • Favorites

reading: The Millikin University Haiku Anthology

(30) reading responses:write about 3 favorite haiku from the MU Haiku Anthology

(31) write 5-8 homecoming haiku (literarly going home or high school or Millikin's homecoming weekend) (write some that actual feature elements of your home town area!)

email Dr. Brooks (rbrooks@millikin.edu) assignments due by midnight Wednesday, 9/29


for 10/5

(32) reading response: write about your favorite match from Matching Contest 1Favorites (one paragraph about 2 haiku)

email Dr. Brooks (rbrooks@millikin.edu) assignments 32 due by midnight Sunday, 10/3


for 10/7

(33) reading: Love Haiku by Masajo Suzuki (MOODLE handout 09-Masajo-LoveHaiku) and find three favorite haiku by Masajo and write a short response paragraph to each one.

(34) reading response: find one more favorite haiku by Masajo. Let your response be a more extended imaginative memory or purely fictional piece about someone spinning off the third Masajo haiku as its starting point. End your short fictional piece with a 2-3 haiku. Your fictional piece should be 1 page max.

(35) writing love haiku or senryu: write 5-8 love or anti-love haiku. Not necessarily all lovey-dovey cliches, but love, crushes, first date, breaking up, unrequited love, good friends, bitterness about love, winter dance, sock hop, blind date, romance, vampire love, and so on . . .

email Dr. Brooks (rbrooks@millikin.edu) assignments 33, 34, 35 due by midnight Wednesday, 10/6


for 10/12

Kukai 5 • Favorites (and/or Matching Contest 2)

(36) reading: The Haiku Anthology and write response paragraphs for three favorite haiku from the The Haiku Anthology

(37) haiku writing: write 3-5 haiku in response to 2-3 favorite haiku from the The Haiku Anthology

(38) haiku writing: write 3-5 haiku on anything OPEN TOPIC - things that are important in your life

email Dr. Brooks (rbrooks@millikin.edu) assignments 36, 37, 38 due by midnight Sunday, 10/10


10-14 FALL BREAK!


for 10/19 - After Fall Break

(39) haiku writing: write 8-10 haiku on Fall break, outdoors, bon fire, apples . . .

(40) reader response: write about 3 favorites from Kukai 5 Favorites and 3-5 spooky haiku

email Dr. Brooks (rbrooks@millikin.edu) assignments 39, 40 due by midnight Monday, 10/18


for 10/21

TEAM MEETING DAY - choose your own meeting place and time (2-3:15 is always available!)

(41) Read Chapters Seven - The Art of Reading & Writing Haiku (pages 110-124) and write about two favorite haiku by former students from this portion of the book.

(42) reader response: write about 3 favorites from Kukai 6 Favorites

(43) haiku writing: Bailey won the kukai with 15 votes for daggaring the elephant. So her prompt is this: "i want the theme to be growing up/reflecting on loss of childhood."

email Dr. Brooks (rbrooks@millikin.edu) assignments 41, 42, 43 due by midnight Wednesday, 10/21)

(44) PARTNER WITH 1 or 2 OTHER STUDENTS FROM CLASS (or previous classes) FOR THIS ASSIGNMENT.

Discuss compare as a literary art genre to another art or activity. THEN create a presentation on this comparison to share with the class. The presentation can be a PowerPoint, Prezi or video posted on YouTube. Include some haiku writing activity for students in the class. PRESENTATIONS DUE MIDNIGHT SUNDAY 10/24.

genre n 1: a kind of literary or artistic work 2: a style of expressing yourself in writing [syn: writing style, literary genre] 3: a class of artistic endeavor having a characteristic form or technique. (dictionary.com)

literary genre n : a style of expressing yourself in writing [syn: writing style, genre] (dictionary.com)

genre (zhän`r?), in art-history terminology, a type of painting dealing with unidealized scenes and subjects of everyday life. Although practiced in ancient art, as shown by Pompeiian frescoes, and in the Middle Ages, genre was not recognized as worthy and independent subject matter until the 16th cent. in Flanders. There it was popularized by Pieter Bruegel, the elder. It flourished in Holland in the 17th cent. in the works of Ter Borch, Brouwer, Metsu, De Hooch, Vermeer, and many others, and extended to France and England, where in the 18th and 19th cent., its major practitioners were Watteau, Chardin, Greuze, Morland, and Wilkie. In Italy genre elements were present in Carpaccio's and Caravaggio's paintings, but not until the 18th cent. did genre become the specialty of an Italian artist, Pietro Longhi. The French impressionists often painted genre subjects as did members of the American ashcan school. (Columbia encyclopedia)

see Wikipedia for an introductory discussion of genre at:
http://en.wikipedia.org/wiki/Literary_genre

Definitions of genres, especially literary genres, usually includes some expectations of form or structure, so our next question is to consider the formal elements of haiku. But genres also include certain expectation of content and aesthetic experience.

Previous semester topics have included:

Haiku Charades - Haiku Pictionary - Haiga & Visual Arts - Haiku & Fishing - Food & Haiku - Haiclue - Jazz Haiku Impromtu-ku - Scifaiku - Star Trek Haiku - Harry Potter Haiku - Billboard Haiku - Senryu & Comic Strips


for 10/26

team presentation on results of comparison activities

Allison & Gabe - I Like-Ku
Bailey, Nathan, Prisciplla - song writing
Barrett, Emily & Trinity - Marching Band Haiku
Diana & Nico- Food & Haiku
India & Katie - 2 Sentence Horror Fiction
Maya, Mason, Daniel - Music & Haiku
Paul Cushman - animation & haiku
Reece & Shay - Country Music Haiku

(45) write 3-5 haiku related to your comparison or upcoming activity.

(46) Send me your proposal for your Reader Response Essay. (1 paragraph)

Post-midterm Reader Response Essay Preview - Author or Haiku topic Study:

Think about what or who you'd like to write about for your contemporary haiku reader response essay. These essays are due November 10. I need to know your intended topic or author by Sunday at midnight, October 24. See the PDF of the ONLINE HAIKU COLLECTIONS by many authors.

I may have books to loan you from the DECATUR HAIKU COLLECTION available from my office, SH209.

Here's guidelines for this assignment:

haiku author or topic study: A formal essay introducing a particular contemporary author, topic or technical approach to contemporary haiku readers. This is a reader-response essay, so the primary source for your essay will be your own readings and analyses of 6-10 haiku. If you are doing an author focus, discuss your author's approach to writing haiku. You may choose to write about a haiku topic instead of an author, with reader responses to 6-10 haiku related to that topic. Matching comparisons with haiku by other authors are always valued in all approaches to this essay. This can focus on one book by the author in the form of a book review essay or on a particular theme or technical approach to haiku by the author.

o focus on a point of insight or question about that author's unique contribution
o include response discussions of 6-10 haiku by the author
o optional to include at a matching comparison to a haiku by another author (or more)
o may include email or in-person interview questions to help address the haiku writer's poetics

The Haiku Foundation has a Haiku Poets Registry that may be helpful in getting a preview of cerntain authors: <https://www.thehaikufoundation.org/haiku-registry/>

Length? 5-10 pages single-spaced. Citations? Full citation of each source within text first time mentioned (followed by haiku citation convention of author, publication title abbreviated, page number) for subsequent mentions. Yes, do include a works-cited page.

A Bibliography of Online Books, Journals and Exhibitions on Haiku, Senryu and Tanka in English
http://www.brooksbookshaiku.com/MillikinHaiku/bibliographies/OnlineHaikuBooks.pdf

See guidelines for this assignment (handout page of 15-Haiku-ReaderREsponseEssay & 16-Sample-ReaderResponseHaikuEssay).

email Dr. Brooks (rbrooks@millikin.edu) assignments 45, 46 due by midnight Sunday, 10/24)


for 10/28

(47) reading translations: An Introduction to Japanese haiku (MOODLE handout 11-IntroJapaneseHaiku) and write about 2 favorite haiku

(48) reading response: Old Pond Comics about the Japanese masters at <http://www.oldpondcomics.com/masters.html> and write a reader response about 1 favorite Old Pond Comic

OR TRY TO DRAW YOUR OWN HAIKU COMIC! (extra credit)

(49) write 5-8 Halloween haiku (OR All Saint's Day or Day of the Dead) (try some SPOOKY & some FUN)

email Dr. Brooks (rbrooks@millikin.edu) assignments 47, 48, 49 due by midnight Wednesday, 10/27

haiku comic by Shay Buchanan


for 11/2

(50) Kukai 7 Favorites - Halloween Favorites - write a paragraph for 3 favorites

(51) write 5-7 new haiku - open topic

Dr. Brooks (rbrooks@millikin.edu) assignments 50 due by midnight Sunday, 10/31)


for 11/4

reading: Haiku Guy, (MOODLE handout 12-HaikuGuy)

(52) Kukai 8 Favorites - write about 2 of your favorites

(53) writing response: Practice the exercise of stop, look, and listen as described in the book, HAIKU GUY. Find something, whether it be in your dorm, on campus, or somewhere where you can sit quietly without distraction and observe a particular thing, area, or person. Then, write about what you observed, describing what stuck out to you. Write 3-5 haiku from this exercise.

(54) writing response: Compare the advice given to Buck-Teeth of poets Mido and Kuro and write 3-5 haiku following Kuro's advice, and 3-5 haiku following Mido's approach.

email Dr. Brooks (rbrooks@millikin.edu) assignments 52, 53, 54 due by midnight Wednesday, 11/3


for 11/9 - scheduling day (no class)

Work on your contemporary reader response haiku essays!

(55) writing haiku: 3-6 haiku in response to haiku being discussed in your essay & 3-5 from Nico's prompt: "My theme for the upcoming prompt is: what do you want to say to the toxic people in your life/ what do you want to say as the toxic person in other people’s lives?"

email Dr. Brooks (rbrooks@millikin.edu) assignments 55 due by midnight Sunday, 11/7


for 11/11

(56) Contemporary Haiku Reader Response Essays due by midnight Wednesday, 11/10

Length? 5-10 pages single-spaced. Citations? Full citation of each source within text first time mentioned (followed by haiku citation convention of author, publication title abbreviated, page number) for subsequent mentions. Yes, do include a works-cited page. Yes, give your essay a title.

(57) On a separate page, please type all of the haiku used in your essay. I will share these with the class as a PDF file while you discuss your author. OR make a PowerPoint or Prezi with your essay's haiku for sharing.

Allison Durham - casual, funny college student haiku
Bailey Banks- song writing
Barrett Van - one-line haiku
Daniel Clear - Suzuki & love haiku
Diana Hernandez - racial inequality & injustice haiku
India Guerreroo - Me Too haiku
Mason Hoyt - avant garde haiku
Maya Gomez - relationships
Nathan Gallop - Vietnam War haiku
Nico Velazquez - Sonia Sanchez
Paul Cushman - Jan Bostok
Priscilla Sabourin - Masajo Suzuki
Reece Brown - John Stevenson
Shay Buchanan - crime haiku
Trinity Pesko - Alexis Rotella

email Dr. Brooks (rbrooks@millikin.edu) assignments 56, 57 due by midnight Wednesday, 11/10


for 11/16 - More Reader Response Essays

(58) reading response: write about 3 favorite haiku from another student's essay

(59) writing haiku: 3-5 haiku OPEN TOPIC

email Dr. Brooks (rbrooks@millikin.edu) assignments 58, 59 due by midnight Sunday, 11/14


for 11/18 - More Reader Response Essays

(60) reading response: write about 3 favorite haiku from another student's essay

(61) writing haiku: 3-5 haiku OPEN TOPIC

email Dr. Brooks (rbrooks@millikin.edu) assignments 60, 61 due by midnight Wednesday, 11/17


for 11/23 - More Reader Response Essays

Kukai 9 • Kukai 9 Favorites

Kukai 10 • Kukai 10 Favorites

(62) reading response: read/review the essays by others in our class. Write a paragraph response about what you especially liked or realized from at least one essay. These are PDF documents on our class MOODLE.

(63) reading response: write about 3 favorite haiku from Kukai 9 or Kukai 10 (Toxic haiku)

(64) writing haiku: 3-5 haiku OPEN TOPIC

email Dr. Brooks (rbrooks@millikin.edu) assignments 62, 63, 64 due by midnight Sunday, 11/21 email Dr. Brooks


for 11/25 no class - Thanksgiving

Take a break and enjoy being with friends, family and quiet time with yourself.


for 11/30

Thanksgiving break kukai!

(65) reading response writing: Share 10-20 of your best haiku with family and friends over Thanksgiving break, and see which ones they like the best. Write an email to me about favorites selected by your family and friends. Which ones did they like best and why?

(66) haiku writing: write 5-8 haiku or a haiku sequence over Thanksgiving Break about your life's reality during Thanksgiving break or about special locations and places of significance to you in your home town or travel. Don't write a bunch of cliches or stereotypical spring break stuff. Write from the reality of YOUR actual Thanksgiving break.

(67) haiku writing: 2-3 haiku from India's prompt: "For the prompt I get to choose I’m thinking love letters to the earth/conversations with mother nature."

email Dr. Brooks (rbrooks@millikin.edu) assignments 65, 66 due by midnight Sunday, 11/28 email Dr. Brooks


for 12/02

(68) reading response writing: Chapter 2 of Matsuo Bashô by Ueda (MOODLE handout 13-Basho-Chapter2). Select three favorite haiku from Bashô. Write a paragraph response to these three haiku.

(69) response writing: Find two matching English haiku to Bashô's haiku—one representing the aesthetic of sabi and one the aesthetic experience of karumi. Write a paragraph for each pair comparing these English haiku with those by Basho. One sabi haiku not by Basho compared to one sabi haiku by Basho. And one karumi haiku not by Basho compared to one karumi haiku by Basho.

(70) haiku writing: write 3-5 haiku based on sabi and 3-5 haiku based on wabi and 3-5 haiku based on karumi

(71) haiku project proposal

The purpose of the haiku project is to apply haikai arts to something that means a lot to the student—usually something related to their major field of study. Bring your passion to this project and connect it to haiku (photography & haiku) (music & haiku) (history and haiku) (psychology & senryu) (a kasen renga) (baseball haiku) (a collage of haiku) (haiku web site) (anthology of love haiku) . . . have fun with this. make it your dream assignment. email me a paragraph explaining your project plan

You can see sample previous haiku projects at:

http://www.brooksbookshaiku.com/MillikinHaiku/haiku/studentprojects.html

Haiku projects are due by email midnight, Monday, December 6
Project presentations are Tuesday, December 7

email Dr. Brooks (rbrooks@millikin.edu) assignments 68, 69, 70, 71 due by midnight Wednesday, 12/01


for 12/07 - Project Presentations Day

(72) Haiku Project

In class: Share your project with the class: (4-5 minutes max for each presentation). I will BUZZ you if you run over.

(email Dr. Brooks (rbrooks@millikin.edu) send a copy of your HAIKU PROJECT by midnight Monday, 12/6)


for 12/08 - Last Day of Class

In class: Share your signature gift haiku & collection.

Signature Gift Exchange & Sharing Haiku Collections

(73) Signature haiku gift exchange (digital photo sent to me) and haiku chapbook collections (email to me) are due Wednesday Midnight, December 11.

The signature haiku process—a haiku to give to others when they ask about haiku that can be used to teach them about haiku and to share some of your work with them. A haiku you want to be known for or known by—one that works with a lot of readers. A gift of a haiku insight . . . often presented as a gift of some sort such as a bookmark, a small haiku stone, etc.

BRING 18 copies to class! (including 1 for yourself)

(74) Haiku Collection Booklets due: Select and organize your best haiku & senryu & haibun & renga into a collection. Make a little booklet, or print them in a binder, or write them in a blank book.

Select and organize your best haiku & senryu & haibun & renga into a small booklet or collection. Give your collection a title and a © 2021 page. (Often signature haiku are connected to the title.) Include a dedication page if you would like to.

Be sure to write an author's introduction to your collection which explains your title and expresses your approach or why these are the ones you have included in your collection (your poetics preface). Ask a reading partner to write a short introduction to your collection, maybe pointing out one or two favorites—or their observation about something unique about your haiku (the reader's introduction). The reader's introduction should help strangers appreciate and value your collection.

BRING 1 copy of your Haiku Collection to class Thursday, December 8!

(75) Don't forget to e-mail a copy of the contents of your collection including your introduction to Dr. Brooks by midnight, Wednesday, December 7!

(email Dr. Brooks (rbrooks@millikin.edu) send your responses and new haiku by midnight Wednesday, 12/7)


for 12/19 - FINAL has been canceled


Post-class evaluation (SIRs & Reflections)

(76) Don't forget to e-mail your short bio statement to Dr. Brooks. This bio will be used as part of your haiku web page.

(77) Don't forget to do your SIR course evaluation!

(78) Review haiku you have written from the kukai, matching contest, and from your final haiku collection. Write about why 5 of your haiku are your favorites. (3 pages maximum)

(79) Write a short reflection essay on how your life has been enriched by learning more about the literary art of reading and writing haiku. What has the art of haiku taught you that will be of value in your professional, social and personal life? (3 pages maximum)

EMAIL assignments 76, 77, and 78 to me by midnight Sunday, December 19 at: rbrooks@millikin.edu


I will post final grades on Tuesday, December 21